"Rantoul and Die:" For better or worse

The prolific theater troupe, the Amoralists are dedicated to producing works that pass no moral judgement.
Now, that's just plain wrong! Honestly, can anyone of us go for even a half a day without making some kind of evaluation of good, bad, better, worst.

The cast of "Rantoul and Die: Derek Ahonen as Rallis, Sarah Lemp as Debbie, Matthew Pilieci as Gary and
Vanessa Vache as Callie. Photo by Russ Rowland

In their latest foray into absurdist realism, "Rantoul and Die" at the Cherry Lane Studio Theatre through July 20th, the Amoralists take an unjaundiced look at four working stiffs settled into their middle American lives, working at the Dairy Queen and paying off the mortgage. What lies behind and deep underneath their ordinary everyday?

Sarah Lemp as Debbie cleans up some of the mess Rallis (Derek Ahonen) has made in their home.
Photo by Russ Rowland.

Mark Roberts' "Rantoul and Die" is about a marriage that's raced so far off he path that it's left skid marks on everybody. Rallis (Derek Ahonen) whines mightily to his friend Gary (Matthew Pilieci) about his wife, Debbie (Sarah Lemp) tossing him out. Heartbreak was never intended to be this funny.

Gary (Matthew Pilieci) and Rallis (Derek Ahonen) in "Rantoul and Die."
Photo by Russ Rowland

"Your heart is broke?," Gary says to Rallis. "Boo-fucking-hoo. Everybody's heart is broke. Why don't we all put up a billboard.... Wouldn't be able to find a fuckin' Wendy's." Rallis responds that he's just "tenderhearted. Things land on me harder than most." In short, Rallis does not want to move on as advised by Gary and ordered by Debbie. He'd rather take his grief counsellor's advice to "process" his loss.

Sarah Lemp as Debbie and Matthew Pilieci as Gary.
Photo by Russ Rowland.

The entertaining play, written by the creator of television's Mike and Molly, and directed by Jay Stull, mixes improbable violence with exhilirating hi-jinx. The ensemble, rounded out by the appearance of Callie (Vanessa Vache) in the second act, are all superlative.

For more information about "Rantoul and Die," visit http://amoralists.com/2013-season/

Home is where the heart is

Home is also where habits are respected and remembered, and memories treasured.

Jonathan Hogan as Sir Charles Denham and George Morfogen as his brother Harry in N.C.  Hunter's "A Picture of Autumn," in a Mint Theater Company revival. Photo by Richard Termine.

In N.C. Hunter's "A Picture of Autumn," revived to perfection by the Mint Theater Company and on stage through July 27th, the ancestral home is a bit of a decaying pile. In 1951, "A Picture of Autumn" was produced in England as the first in a series of gentle drawing room comedies.

Jill Tanner as Lady Margaret, George Morfogen as Harry Denham, Jonathan Hogan as Sir Charles, Paul Niebanck as Robert and Katie Firth as his wife, Elizabeth. Photo by Richard Termine.

Despite the inevitable comparison to Chekhov, Hunter brought a crisp and distinct voice. His failure to gain traction as a great English playwright may be attributed to the voices of discontent made popular by John Osborne's "angry young men" and Joe Orton's strange and flamboyant characters. The drawing room was replaced by the union hall, the dockside, or other more ordinary venues. The realism of the 1970s wanted a grittier reality than that of aging nobility and its bewildered children.

Paul Niebanck as Robert Denham and Barbara eda-Young as Nurse in "A Picture of Autumn."
Photo by Richard Termine.

As in Chekhov's works, "A Picture of Autumn" focuses on the decline of an aristocratic family, the Denhams. Sir Charles (Jonathan Hogan) and Lady Margaret (Jill Tanner) make up the household along with Charles' brother Harry (George Morfogen) and the equally aged Nurse (Barbara eda-Young) who is more served than servant. Sir Charles and Lady Margaret have two boys, the ne'er do well Frank (Christian Coulson) and his decent but plodding civil servant brother Robert (Paul Niebanck). Robert is appalled by the letters of complaint he's gotten from his mother during his service in Africa. Moved by his parents' inability to keep up the old house, has decided to help by selling Winton Manor to a governnemt agency.

George Morfogen as Harry and Helen Cespedes as Felicity in a scene from "A Picture of Autumn."
Photo by Richard Termine.

Hunter was never much produced state-side, with his only Broadway foray being A Day by the Sea featuring Jessica Tandy and Hume Cronyn in 1955. He fared better in England where the plight of impoverished lords and ladies dotting the post WWII country-side was better understood.

Be grateful to the Mint for bringing Hunter's work the attention it deserves. "A Picture of Autumn" gets truly proper treatment under Gus Kaikkonen's fine direction and with this wonderful ensemble. The performers were all top-notch, with George Morfogen adding sparkle to the production. The young Helen Cespedes as Felicity, the daughter of Robert Denham's wife's Elizabeth is a welcome new talent and makes a superv ingenue. Jill Tanner is wonderful as the doyenne reduced to cooking and shopping; her Margaret is a perfect unwilling  but loving caretaker.

For more information about "A Picture of Autumn," please visit http://minttheater.org/.

Meeting or exceeding expectation

Expectations met make for a delightful experience. Who doesn't like to be right? The satisfaction of seeing a top-quality performance is much greater than that of knowing what's going to misfire.

Bette Midler stars as Sue Mengers in "I'll Eat You Last: A Chat With Sue Mengers," at the Booth through June 30th. Photo by Richard Termine.

In "I'll Eat You Last: A Chat With Sue Mengers," John Logan's new play at the Booth Theatre through June 30th, the Divine Miss M (and I'll bet even she's tired of this moniker attached to everything she does) meets all the highest expectations! Bette Midler makes a divine Sue Mengers, the king-making and contentious Hollywood agent who died in 2011.

Sitting in Sue Mengers' sumptuous living room, designed by Scott Pask, Midler embodies all the qualities for which Mengers was famous. It's such a natural performance, Midler just inhabits Sue Mengers. Under Joe Mantello's direction, Bette Midler's Sue Mengers is funny, charming, difficult, combative, abrasive irreverent and very entertaining.

The man in the Booth box office warned that there would be no singing in this show, but Bette Midler's acting sings nonetheless.

"I'll Eat You Last..." is an intimate and gossipy pleasure.

Julianna Rigoglioso as Janice, Jake Lucas as David and Elainey Bass as Sarah in "Far From Heaven," Richard Greenberg's new play at Playwrights Horizons through July 7th. 

Unfortunately, the low expectations we had going in for "Far From Heaven," at Playwrights Horizons through July 7th, were also exceeded. Richard Greenberg's book is based on the Todd Haynes motion picture of the same name, with music by Scott Frankel and lyrics by Michael Korie, none of which adds much to the rather thin tale.

As "Far From Heaven" opens, Cathy Whitaker (Kelli O'Hara) is a typical and very conventional New England housewife circa 1957, enjoying the beauties of her home and family. Spoiler alert for those not familiar with the film, Cathy's story can be summed up as: my husband, Frank (Steve Pasquale) is gay and I'm in love with the gardener, Raymond (Isaiah Johnson).

Kelli O'Hara as Cathy and Isaiah Johnson as Raymond in "Far From Heaven." Photo by Joan Marcus

"Far From Heaven" is an operetta, and the orchestra's over-playing the singers interferes with the players' storytelling. The fine cast are excellent; Kelli O'Hara gives a grand performance; Isaiah Johnson as her love interest is superb. Steve Pasquale is a perfectly despicable Frank Whitaker, torn between what he thinks is normal and what he wants. (See an extended review by TB at VevlynsPen.)

For more information about "I'll Eat You Last: A Chat With Sue Mengers," visit http://www.illeatyoulast.com/. To learn more about "Far From Heaven," visit http://www.playwrightshorizons.org/

Summer is for dancing: a couple of out of town Festivals

What’s 80 years old and extremely modern? Well, yes maybe also your ultra-hip granny but we’re thinking more along the lines of ADF.

The American Dance Festival, founded in 1934 in Bennington, VT, and now located in Durham, NC, is a summer home for an international community of dancers, choreographers, critics, musicians, students, and scholars joined in a supportive environment for creation and presentation of new works.

 

LeeSaar-MassMoCA. Christopher Duggan

Featured artists for the week of June 30^th through July 7^th include LeeSaar The Company which is bringing an ADF-commissioned work for their premiere performance called “Grass and Jackals.” The dance and light piece by the company, founded by partners Lee Sher and Saar Harari in 2000, explores movement and theatricality in a dynamic contemporary form.

Also on the stages at ADF is Kyle Abraham with Abraham.In.Motion, bringing his new work, “Pavement,” an exploration of the hard road black America has had to take during the past century.

The extremely popular Musician’s Concert is back on July 3^rd this year at 8:00pm as are dance and bodywork classes at ADF’s Samuel H. Scripps Studios for adults while ADF Project Dance, under the direction of Gaspard Louis, partners with Kidzu Children’s Museum to offer two free movement classes for children during the third week of the Festival.

In contrast to the long-established ADF, the Cape Dance Festival will be holding its inaugural event on July 27^th in Provincetown, MA. The brainchild of performing arts professionals Stacey-Jo Marine and Liz Wolff, the Festival includes Paul Taylor Dance Company, Project Moves Dance Company, CorbinDances, Lady Luck Burlesque, Lorraine Chapman the Company, and Yesid Lopez. As a throwback to an ancient tradition, the Cape Dance Festival is being held outdoors in an amphitheater, the Province Lands Outdoor Amphitheater, to be precise.

Among the many works on hand, will be "Paean," a solo choreographed by the late Christopher Gillis, a member of Paul Taylor's troupe. “Paean” will be danced by Michael Trusnovec, a senior dancer in the Paul Taylor Dance Company. Christopher Gillis died from AIDS complications in 1993. Ticket sales for all Festival performances will go towards raising funds for the AIDS Support Group of Cape Cod.

Visit http://capedancefestival.com/about/ to learn more about Cape Dance Festival.

To learn more about the American Dance Festival, visit http://www.americandancefestival.org/

What are you doing this weekend? A few select suggestions:

 See Bette Midler play Sue Mengers, or go see "Motown The Musical" or you could head home to Bountiful, TX.... 

Bette Midler is the perfect hostess in "I'll Eat You Last," as she invites the audience into her home, well, Sue Mengers' home.  Click above for review and details, but there are only a few performances left, and honestly, you should not miss this one. Closing June 30th.

Love the music that came out of Detroit in the late '50s and early '60s? Come relive the era with "Motown The Musical." Tickets aren't discounted on the usual sites, but go ahead and treat yourself after you click on the links for our reviews, at any rate. (See also, Gordy Tells His Story on VP as well as the review on this site.)

There are discounts for "The Trip To Bountiful," for which Cicely Tyson won the Tony. (For discounts check on BroadwayBox.com, among others.) Cuba Gooding, Jr. makes his stage debut in this lovely production.

Off-Broadway, there's "Cornelius" by JB Priestley at 59E59 Theaters' Brits Off Broadway. The play takes place during tough economic times during the 1930s, but you can relate, right? [Also closing on June 30th.]

Alan Cox and Col Farrell in J.B. Priestley's “Cornelius,” directed by Sam Yates, part of Brits Off Broadway at 59E59 Theaters. Photo by Carol Rosegg.

It plays only on Wednesdays, but plan to attend a matinee or evening performance before July 31st:

"Unbroken Circle" (review) at the St Luke's Theatre.

Photo by Bill Selby

Looking for romance and dancing? "Rodgers + Hammerstein's Cinderella" can take you on a waltz-filled adventure. It won a Tony for the spectacular costumers, but it's a genuinely enjoyable production.

Looking for something a bit ... smaller? St Ann's Warehouse in Dumbo is celebrating toy theater from June 14th to the 23rd. It's the Tenth International ToyTheater Festival. Check it out. Photo below is courtesy

Great Small Works, and features Barbara Steinitz and Bjorn Kollin presenting "Schnurzpiepegal," a picture book that comes alive. 

Another highlight of the festival is Janie Geiser's "The Reptile Under the Flowers," which incorporates mechanical objects, puppetry, small projections in twelve diorama scenes of a peepshow spectacle. Don't know about you but "Toy Theater" appeals to my love of minatures.

Janie Geiser’s "The Reptile Under the Flowers," courtesy Great Small Works

• To find out more about "I'll Eat You Last," please go to the official site. 
• For information about "Motown The Musical," visit their website. 
• For  "The Trip To Bountiful," take a trip to discount link, and visit the official website. 
• Go to 59e59.org to learn more about "Cornelius." 
• Discount tickets are available for "Rodgers + Hammerstein's Cinderella" and information about the show can be found at their official website.
• For schedule and tickets for "Unbroken Circle," go to their site.
• Please go to Tenth International Toy Theater Festival for the schedule of events

Alas, "Somewhere Fun" is Anything But

Dark comedy can be full of surprise and delight.

Unfortunately, Jenny Schwartz's new "Somewhere Fun," at the Vineyard Theatre through June 23rd, is dark and sometimes comic, but absent of any delight. A metaphor for life and death that's so lurid and off-putting, "Somewhere Fun" threatens to bore. Its descent into dull darkness has a rapid trajectory over three thirty-five minute acts.

"Somewhere Fun" is full of clichés masquerading as whimsy and whimsy that  passes for deep thought. There is wordplay that amuses until it doesn't despite the best efforts of the fine troupe of actors and director Anne Kauffman. In fact, "Somewhere Fun" features an excellent cast--including the brilliant and talented Kathleen Chalfant and splendid and versatile Kate Mulgrew. They and the ensemble work tirelessly to make lively sense of "Somewhere Fun" to no avail.

A pinch of fairytale, a sprinkling of Shakespeare, a soupçon  of police procedural, a dash of social commentary, and yet "Somewhere Fun" is just an unsatisfying stew.

For more information about "Somewhere Fun," visit the Vineyard Theatre.

Secrets Haunt in "Unbroken Cirlcle"

Aunt June (Eve Plumb) finally gets to read the will as the family looks on.
Edna (Anika Larsen), Patti (Juli Wesley), Bobby (James Wesley) and Ruby (Suzanna Hay) Photo by Bill Selby.

There is no such thing as a well-kept secret. In fact the secrets the family in "Unbroken Circle," at St. Luke's Theatre in an open run every Wednesday, have done a good deal of harm.

Aunt June (Eve Plumb), Cheryl (Lori Hammel), Bobby (James Wesley) and Ruby (Suzanna Hay) sit around the table trying to enjoy a family meal. Photo by Bill Selby.

James Wesley, who also stars as Bobby, has written a darkly comic, poignantly gripping play about a family troubled by their past. "Unbroken Circle" is moving, and unpredictable.

The family gathers after burying Travis, the father and grandfather that none of them, except perhaps Aunt June (Eve Plumb) much misses. In fact, his demise frees his wife Ruby (Suzanna Hay) of many burdens of care. Her daughter, Edna (Anika Larsen) comes back home for the first time since she ran away at sixteen. Bobby (James Wesley), her twin, can unburden himself of a life of failure and misery too.

Husband and wife Cheryl (Lori Hammel), Bobby (James Wesley) confront their daughter, Patti (Juli Wesley). Photo by Bill Selby.

Eve Plumb is very fine as the cynically pious June. Suzanna Hay stands out as the tough and  
protective Ruby. James Wesley is brilliant as the defeated Bobby. Lori Hammel is excellent as his wife Cheryl, as is Anika Larsen as the prodigal sister. The youngsters, Stacey Bone-Gleason as Cathy, who has just come of age, and Juli Wesley as the precocious and clever Patti, give memorable performances. In short, the ensemble are superb.

"Unbroken Circle" is an engaging, entertaining and touching drama about a family overcoming their troubled past. The direction by Jason St. Little and the sets by Josh Iacovelli make the most of the small space in which the play is staged. 

For more information, schedule, and tickets for "Unbroken Circle," please visit www.unbrokencircletheplay.com. 

Going For Broke in "Cornelius"

L-R: Alan Cox, David Ellis, and Col Farrell in J.B. Priestley's "Cornelius,"   directed by Sam Yates, part of Brits Off Broadway at 59E59 Theaters. Photo by Carol Rosegg.

Losing everything you worked for would drive most men to despair.

In J.B. Priest;ey's period drama, "Cornelius," at 59 E59 Theaters through June 30th, the eponymous hero seems inspired to whimsy as his firm fails.

Alan Cox in J.B. Priestley's "Cornelius," directed by Sam Yates, part of Brits Off Broadway at 59E59 Theaters. Photo by Carol Rosegg.

James Cornelius (Alan Cox) remains sublimely cheerful while Briggs & Murrison goes steadily into bankruptcy. His spirits are, in part, buoyed by the new typist, Judy Evison (Emily Barber), but he is just a naturally optimistic fellow. Jim is certain that his partner, Bob Murrison (Jamie Newall) will arrive with orders for aluminum from the trip he is making to see their old customers to save their company.

Emily Barber and Alan Cox in J.B. Priestley's "Cornelius," directed by Sam Yates, part of Brits Off Broadway at 59E59 Theaters. Photo by Carol Rosegg.

In his office, Jim is supported by the loyal Biddle (Col Farrell) and the smitten Miss Porrin (Pandora Colin.)
The office boy, Lawrence (David Ellis) has adopted a more modern attitude about work. "This is Mr. Murrison's show," he tells Biddle. "It's his firm." Biddle rebukes him "And it's my firm. And it's your firm."
Lawrence responds "No, it isn't. This is simply the place where I come and put out blotting-paper and copy letters for twenty-five bob a week."

 Alan Cox and Col Farrell in J.B. Priestley's "Cornelius," directed by Sam Yates, part of Brits Off Broadway at 59E59 Theaters. Photo by Carol Rosegg.

In "Cornelius," there is a sense that society is going broke as surely as Briggs & Murrison are. There is impending war making trade difficult. Times are generally hard in London in 1935, and a coterie of door-to-door salesfolk come around with paper goods and shaving cream.

Alan Cox is bracing as the kind and sometimes bewildered James Cornelius. He, like his character, is supported by an excellent cast. Col Farrell is outstanding, and Pandora Colin simply wonderful as the protective and love-struck Miss Porrin. Emily Barber also gives an exceptional performance. The fine actors are aided in their performance by the well-paced direction of Sam Yates.

To learn more about "Cornelius," please visit www.59e59.org.  Also visit www.finboroughthre.co.uk to learn more about the production company that brought "Cornelius" to Brits Off Bway.

Tony, Tony, Tony!

The Tony Awards are more than just a celebration of the great work done by the theater community in the past season, they are also a showcase for New York City's best product: Broadway!

Broadway is an export product, with shows touring all over the country, but more importantly, it imports visitors to our town and brings them to the Great White Way to share some of the magic. The 2013 Tony Awards highlighted what's in store for out-of-towners and locals alike.

Making book on who will win is not a blood sport, but I am gratified at how many picks I got right this year!
Imagine how much more satisfying those wins were to Patina Miller, Cicely Tyson, Tracy Letts, Billy Porter-- yes I predicted these wins. Congratulations to you all and to "Kinky Boots," and "Who's Afraid of Virginia Woolf" and Pam McKinnon, and all the rest. In fact, a big congratulations to all the nominees and the Bests.

Open the Shipping Lanes, "The Boat Factory" is in Town

Dan Gordon, who also wrote the play, and Michael Condron in "The Boat Factory," part of Brits Off Broadway
at 59E59 Theaters.  Photo by Carol Rosegg

Folks once travelled by ship across the seas like we hope a plane. Ocean liners sailed from the shipyards of Belfast as early as the late 1800s. Smaller boats were built in 1663 to ply the rivers before the harbor was dug out to accommodate factories like Harland & Wolff, which launched, among many other ships, the RMS Titanic in 1911.

Michael Condron and Dan Gordon in "The Boat Factory," part of Brits Off Broadway at 59E59 Theaters.
 Photo by Carol Rosegg

A history of the Belfast shipbuilding industry in two acts by Dan Gordon, "The Boat Factory," at 59E59 Theaters through June 30, celebrates great shipyards of the Northern Ireland town and the men who worked in them.

Michael Condron as Geordie and Dan Gordon as Davy in "The Boat Factory," part of Brits Off Broadway
at 59E59 Theaters.  Photo by Carol Rosegg

In Act 1, the actors deliver a lecture on the heritage of shipbuilding in Belfast. The stories they tell are novel, comic, interesting and rambling. Davy Gordon [Dan Gordon] and Geordie [Michael Condron] By Act 2, Davy Gordon [Dan Gordon] and Geordie [Michael Condron] act out a more conventional give and take about life in the great warehouses in which "dreams n the Island-- Queen's Island-- building ships building dreams...." With its sprawling presentation, and didactic content, "The Boat Factory" may not be to everyone's liking. By the time you get to the second act, you may be overwhelmed by the syncopation of information in Davy and Geordie's banter.

Men died building ships in the vast factories that sprang up between the Victoria and Musgra e Channels on
Queen's Island, Belfast. "The Boat Factory" is a tribute to them and the expansive industry they represented.

"We built them to last -- even Titanic," Geordie says. "She was alright when she left us, eh?," Davy says.

For more information about "The Boat Factory," visit www.59e59.org.

In the parks and public spaces... especially for you

"Burrow" by The Bardos Ballet Theater takes to the indoors to avoid rain falling.

Time does not diminish his popularity, nor our curiosity about William Shakespeare, who turns 450 on April 23, 2014. His talent is timeless, and oft feted.

From Wikipedia

In celebration of the “Bard of Avon” on his upcoming birthday, Ross Williams’ New York Shakespeare Exchange initiated a year-long Sonnet Project, in which all 154 sonnets will be filmed at various locations around New York City.  The invitation only launch party for the Sonnet Project at the Museum of the Moving Image on May 20^th, will feature Tony-winner Cady Huffman. She will read a sonnet and joins actors Lynn Cohen, Austin Pendleton, Michael Urie, and Joanna Gleason, among others, all of whom also appear in an upcoming sonnet film.

The goal is for the films to reach an audience of 1,000,000, with each short film released on the website www.SonnetProjectNYC.com. Sites for the films include courthouses, and parks, the Brooklyn Bridge and the Queens Unisphere, Chelsea Piers, and the Bronx. There is now an app for Android mobile devices available at Google Play and a mobile app available for iPhone and iPad at the Apple App Store, so you can catch these short films anytime.



Here's a "Burrow" thank you from the Bardos Ballet's outdoor [and sometimes forced-by-weather indoor] performances in late May:

Also happening in public spaces and the parks are the Bardos Ballet Theater’s free dance performances. Billed as “Burrow,” the dances by choreographer Cynthia Anne Stanley and architect Maria Sieira will pop up as “sneak attacks” in sites around town. In “Burrow,” twelve women construct and deconstruct dwellings, as they keep the homefires buring during WWII.

“Burrow” will be at Foley Square Fountain on May 19^th at 7pm, on the 24^th at Fort Greene Park Steps. Two hush-hush appearances on June 2^nd will be in Manhattan at 11am and then somewhere in Brooklyn in the early evening. Picnics are welcome, but only friends of the Bardos Ballet will get exact directions to participate in these stealth events. 

The Bardos Ballet has made contingency plans for rain outs. So if they can't perform at Fort Greene Park, for instance:

They'll head indoors to the Martha Graham Studios. Stay in touch with The Bardos Ballet Theater so you can be there.

A Trip To "Neverland" In Long Pants

Bradford Cover as Sir Harry and Rachel Botchan as Kate in "The Twelve Pound Look" from  The Pearl's This Side Of Neverland. Photo by Al Foote III.

If it weren't for Walt Disney, the flying, Tinker Bell and Captain Hook, "Peter Pan" would be widely recognized as the adult fairytale it truly is. Children for the most part aren't that interested in not growing up.

Sean McNall as Charles and Rachel Botchan as Mrs. Page  in  "Rosalind" from  This Side of Neverland. Photo by Al Foote III.

In J.M. Barrie's two one-act plays, capping the 29th season of the Pearl Theatre Company as "This Side Of Neverland," and playing through May 19th, the tales are definitely for grown-ups.

J.M. Barrie (Sean McNall), narrating with a deep Scots brogue and a very merry twinkle, is the glue that binds "Rosalind" with "The Twelve Pound Look" in "This Side of Neverland." The Pianist (Carol Schultz) leads a mostly failed (through no fault of hers) audience sing-along to aid in the transition between the acts.

Extended to May 26th

Rachel Botchan as Kate and Vaishnavi Sharma as Lady Sims in "The Twelve Pound Look " from This Side Of Neverland at the Pearl Theatre. Photo by Al Foote III.

The production under J.R. Sullivan's direction strikes the charming note of Edwardian celebration. J.M. Barrie makes mischief in the neatly-drawn, sweetly satirical two parts of "This Side Of Neverland;"although the little plays feature adult-language and adult-situations, "This Side Of Neverland"gets its PG rating. Of course, youngsters will not appreciate its mature wit nor its intelligent wisdom..

Sean McNall as Charles in "Rosalind," the opening act of This Side Of Neverland. Photo by Al Foote III.

In the excellent small ensemble, Rachel Botchan is as delightful as Kate, the escaped wife in "The Twelve Pound Look," as she is as the aging-ageless ingenue in "Rosalind." Sean McNall is equally excellent in all the roles he undertakes, here as Barrie, and then as the boyish Charles, and the reserved slightly supercilious butler Tombes.

For more about The Pearl Theatre Company, and "This Side Of Neverland," please go to www.pearltheatre.org. 

Girls Will Be Boys

Naturally impersonation is about creating an illusion.

Jessica Walker in "The Girl I Left Behind Me" at 59E59. Photo by Carol Rosegg.

In "The Girl I Left Behind Me," playing at 59E59 Theaters through May 19th, co-author and performer Jessica Walker salutes the women who wore the pants in Victorian and Edwardian era music halls and on America's vaudeville stages.

These ladies in trousers, like Miss Hetty King, Ella Shields, or the 6-foot Gladys Bentley from Harlem, dressed the part but sang in their natural register. Hiding in plain sight, in men's clothing, achieved great success and had a large following. Walker and her co-writer, Neil Bartlett suggest that their admirers were complicit co-conspirators in women-worship.

Jessica Walker in "The Girl I Left Behind Me" at 59E59. Photo by Carol Rosegg.

It's a fact that some of these professional cross-dressers may have been lesbians. One, Annie Hindle, in fact managed a marriage by signing the certificate with a man's name. Nice tidbit, and there are some others in "The Girl I Left Behind Me" that will amuse and edify. But, unfortunately, the historical thesis of the show is neither shocking nor all that interesting.

Joe Atkins at the piano with Jessica Walker in "The Girl I Left Behind  Me." Photo by Carol Rosegg.

In full gentlemanly attire, with tails and tophat-- one of several she doffs for her performance,--Walker shows off a finevoice and a nice way around a variety of musical styles, even the operatic.

"The Girl I Left Behind Me" is presented by Jess Walker Musical Theatre and is part of the Brits Off Broadway. Learn more about "The Girl I Left Behind Me"at www.59e59.org.

Work is a special kind of hell in "Bull"

Sam Troughton and Eleanor Matsuura in Mike Bartlett's "Bull," part of Brits Off Broadway at 59E59 Theaters.
Photo by Carol Rosegg

If the only intriguing thing about Mike Bartlett's "Bull" were that he had a recent success off-Broadway with a play called "C**k," it might be enough for some of us. But "Bull" is far from a mere companion set-piece, offering the cutely indulgent possibility of being labelled "C**k" and "Bull." 

Eleanor Matsuura and Adam James in Mike Bartlett's "Bull," part of Brits Off Broadway at 59E59 Theaters.
Photo by Carol Rosegg

"Bull," in a Sheffield Theatres production at 59E59 Theater's Brits Off-Broadway festivities, through June 2nd, is in fact, a rather brilliantly brutal study of humiliation and dominance.

Sam Troughton and Adam James in Mike Bartlett's "Bull," part of Brits Off Broadway at 59E59 Theaters.
Photo by Carol Rosegg

Thomas (Sam Troughton) is alternately bewildered and out-manned by his co-workers, Isobel (Eleanor Matsuura) and Tony (Adam James) as he struggles to survive at work. The team is about to be pared down by their boss, Carter (Neil Stuke) whose visit the three are anticipating in an office made to look like a fight ring, designed by Soutra Gilmour.

Sam Troughton, Neil Stuke, Adam James, and Eleanor Matsuura in Mike Bartlett's "Bull," part of Brits Off Broadway at 59E59 Theaters. Photo by Carol Rosegg

"Bull" is a cage match, with Carter as reluctant referee. Thomas' being cut is a foregone conclusion. Carter, unctious and self-assured, describes his mission to downsize as "a cull to save the species, by which I mean the rest of us, from extinction."

Eleanor Matsuura, Sam Troughton, and Adam James in Mike Bartlett's "Bull,", part of Brits Off Broadway at 59E59 Theaters. Photo by Carol Rosegg. Choreography by Allistair David and Fight Direction by Christian Thomas.

The actors move about aggressively-- or in Thomas's case defensively-- with choreography by Allistair David and Fight Direction by Chrisitan Thomas, in a Darwinian dance of death. The ensemble, under Clare Lizzimore's direction, is superb.

"Bull" creates the very definition of a hostile work environment.

For more information about "Bull," visit www.59e59.org.

This "Trip" Is More Than Worth The Fare!

Cicely Tyson is Mrs. Carrie Watts in  Horton Foote's"The Trip To Bountiful." Photo by Joan Marcus 

Home can have a powerful pull on a body.

Horton Foote's "The Trip To Bountful," at the Stephen Sondheim Theatre through July 7, is a tale of yearning to return.

Cicely Tyson as Mrs. Carrie Watts with Condola Rashid as Thelma in the revival of "The Trip To Bountiful."
Photo by Joan Marcus.

Mrs. Carrie Watts (Cicely Tyson) wants to go back, away from the bickering old woman she's become. Her frivolous daughter-in-law Jessie Mae (Vanessa Williams) provokes her to be her worst self. Ludie (Cuba Gooding, Jr.), her son, is sweet and ineffectual. Mrs. Watts' life with them in a two-room apartment in  has her longing for her childhood home in Bountiful. The farm town may as well have been named in irony; there is nothing left of it since it's soil blighted by overuse. To Mrs. Watts, it is a wonderful memory she longs to revisit before she dies.

Vanessa Williams and Cuba Gooding, Jr. Photo by Joan Marcus.

"I think Ludie knows how I feel about getting back to Bountiful. Once when I was talking about something we did back there in the old days, he burst out crying. He was so overcome he had to leave the room," she tells Thelma (Condola Rashid), a stranger who befriends her during her "escape" from Houston.

Cicely Tyson and Cuba Goofing, Jr. in "The Trip To Bountiful" in a photo by Joan Marcus.

In the interest of full disclosure, "The Trip To Bountiful" is a personal favorite among Horton Foote's extensive repertoire. Foote's first producd play dates back to 1941 with the off-Broadway production of  "Texas Town." (A theme revisited in Primary Stages production of "Harrison, TX.") Foote, who died in 2009, had a long and much-feted career, with many a Broadway hit; Foote was the recipient of numerous awards -- including the one bestowed by the Academny of Motion Picture Arts and Sciences.

Tom Wopat is charming in a small role as Sheriff . Photo by Joan Marcus.

This superb cast, anchored by the outstanding Cicely Tyson, with strong performances by Vanessa Williams and Cuba Gooding, Jr. bring Foote's lovely tale to its fullest flower.

Tyson's many awards over her illustrious career, including Emmys and a star on the Hollywood Walk of Fame. Her Broadway appearances began in the late 1950s, as an understudy in "Jolly's Progress," and included the 1983 production of "The Corn is Green," and a few performances (once as a host) at Tony celebrations over the years. There already is a lot of chatter suggesting she might win this year's Tony!

You would not know it while watching Cuba Gooding, Jr.'s nuanced performance as Ludie that this is the Academy Award winner's stage debut. On the other hand, Vanessa Williams, a multi-Grammy award winner, has plenty of experience acting in theater; in 2002, she got a Tony nod for her portrayal of the Witch in the revival of the Sondheim "Into The Woods." Up-and-comer Condola Rashid,  Tony-nominated for her role in "Stick Fly" in 2012, doles out a pitch-perfect performance.

When we come to Bountiful, the scenic design by Jeff Cowie is bucolically pictorial, giving a pastoral beauty to the town of Mrs. Watts' memories. For lovers of the technical, there is a suspended cross-section
of a travelling bus, under the supervision of Hudson Theatrical Associates.  In Houston, Cowie's set describes the oppression of a cramped apartment, giving the stars a small space in which to work. The Watts' ground floor is overladen with the darkened windows of neighbors above them. Note the nod to the color of the casting, and the times of the play, set in Texas in 1953, in the sign pointing to the White Waiting Room at the bus depot.

Under Michael Wilson's direction, there isn't a misstep in the journey of "The Trip To Bountiful." Go and spend an evening travelling in the world Horton Foote has created.

For more information on "The Trip To Bountiful," please go to The Trip To Bountiful on Broadway.